About Première Vision Paris
Première Vision Paris is where much of the fashion industry's sourcing season begins. Held twice a year over three days at Paris Nord Villepinte, and part of the GL events group, the show gathers the materials and manufacturing supply chain from yarn to finished product.
The offer is organised into universes that cover yarns, fabrics, leather, designs, accessories and manufacturing, alongside dedicated areas for bags, shoes and leather goods, exceptional craft and smart creation. Exhibitors are mills, tanneries, accessory makers, textile design studios and garment manufacturers from many countries.
Visitors are designers, product developers, sourcing teams and buyers from luxury houses, ready-to-wear brands and retailers. It is a strictly professional audience, and many arrive early in their creative cycle, still shaping what the next season will look like. The show's in-house fashion team produces trend and colour direction that informs what designers look for on the floor.
That timing is the core reason to exhibit. Being present when collections are still being conceived means a supplier's materials can be written into designs before they are finalised, which is far more valuable than chasing orders later. Stands are typically refined rather than loud, designed around swatch handling, with neutral, colour-accurate lighting, well-organised sample walls and tables, and seated meeting points for longer conversations with sourcing teams.
Next edition
Première Vision Paris 2027: what to expect
The January 2027 edition runs from 26 to 28 January in Halls 5 and 6 at Paris Nord Villepinte, presenting autumn/winter 2027-28 directions. A special focus, Territories of Savoir-Faire: India Fashion Futures, highlights Indian craftsmanship, developed with the Indian Embassy and Ministry of Textiles.
Because visitors work through large numbers of samples, have a fast way of logging sample requests and following them up after the show. Paris Nord Villepinte sits well outside central Paris, so allow for travel time for both the stand team and the build crew. Lighting is critical: designers judge colour on the stand, and poor lighting can undermine an otherwise strong collection.

